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Life & Power Press Cultural Topography in Republic of Korea by Unsangdong Architects 01
The posed “Topography” works seeing canvas as the life, but changes in that various besides media include book. The multi-purpose topography is an interactive map of office, club, show, seminar, lecture, performance, etc.
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Life & Power Press Cultural Topography in Republic of Korea by Unsangdong Architects 02
We be cognizant that we take place not as an individual, but considering a unity of many, or matching humongous individuals connected to each other. Creating an Publisher’s breach is not just setting evolvement the exhibition further posting space besides putting books in it, but model a map that covers all the works in the venue. veritable depends on the map how the viewer consign appreciate the space and books.
Life & Power Press Cultural Topography in Republic of Korea by Unsangdong Architects 03
Life & Power Press Cultural Topography in Republic of Korea by Unsangdong Architects 04
Life & Power Press Cultural Topography in Republic of Korea by Unsangdong Architects 05
Through the , I be credulous sought to insert ‘the ewer of increased topography’ into resembling space. ‘The vessel of new topography.’ an intervention of a new mental picture into the space, works now mythical texts like those of Jorge Luis Borges. We will make-the “Contour Topography” a space for the’ new experience. The Contour space will reflect the real topography by applying the abstract image of it to the floor.[via]
Life & Power Press Cultural Topography in Republic of Korea by Unsangdong Architects 06
Life & Power Press Cultural Topography in Republic of Korea by Unsangdong Architects 07
Life & Power Press Cultural Topography in Republic of Korea by Unsangdong Architects 08 sketch
Architects: Unsangdong Architects
Location: Paju book city, Gyoha-eup, Paju-si, Gyeonggi-do, Republic of Korea
Design Team: Jang Yoon-Gyu, Shin Chang-Hoon
Site area: 727.2㎡
Building area: 352.5㎡
Gross floor area: 995.77㎡
Construction period: June 2005 – February 2006
Photography: Namgoong Sun
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